SLATE VIRTUAL MIX RACK AAX PRO TOOLS 12 HOW TO

I opened a track I’m working on and added VPRE-2C to the signal path to test it out, and can confirm that low-gain settings add a pleasing warmth to the midrange that helps the vocal pop through the mix.Īt higher gain, especially with the Boost enabled, VPRE-2C goes from gritty to downright dirty, adding in a delicious breakup at around 15 on the dial that is simply infectious. At its lower gain levels, the difference is almost imperceptible on its own, however, when added into a mix the difference becomes more apparent. The best way I can describe using VPRE-2C is that it’s subtle – until it’s not. I found adjusting the Mix and Trim to be a fun way to change the overall character of the plugin. Trim is a master gain control that affects total output of the plugin. The last three controls are self-explanatory: Mix is a simple blend control that controls dry/wet. Please check out my Review Policy If you have questions about how reviews are scored and my review reconsideration guidelines.) Mix, Trim and Power (Editor’s note: It should be noted that this reconsideration did not change the overall scoring of my review, as I had previously scored VPRE-2C at 5 stars and still feel the same about its overall usability and features. I stand by my original summation that the tone control is subtle, but now see that it is more useful than I found it to be in my original draft. I found the tone control especially useful at higher gain settings. When running VPRE-2C through a bassier track, the difference was immediately apparent. Armed with this new knowledge, upon reconsideration and additional testing I found the tone control in VPRE-2C subtle, but subtle in a good way.

SLATE VIRTUAL MIX RACK AAX PRO TOOLS 12 HOW TO

After publishing, I had a few conversations with users of the plugin as well as the plugin’s author and was given some pointers on how to better use the tone knob. In an early draft of this review, I said that I couldn’t perceive much of a difference when employing the tone control. I really enjoyed the contrast of setting the plugin to the same Gain on both channels and only setting the Boost on one. With the Boost turned on the breakup starts much lower Gain levels, and becomes a full-on fuzz by fifteen on the Gain. By the time you hit twenty it’s a full-on distortion, heavily centered in the midrange frequencies.īoost takes the Gain control and puts it on steroids. Zero through about ten increases saturation and midrange warmth, while settings above ten add an increasing breakup that becomes truly dirty around the fifteen mark. The Gain control in VPRE-2C ranges from zero to twenty. Let’s take a look at the controls in detail: Gain, Tone and Boost VPRE-2C has a simple, clean, what-you-see-is-what-you-get set of controls that will feel familiar to anyone that has ever used a preamp. Overall, an attractive and simple interface. All six of the controls are available at-a-glance. The cap covers in the image even have a vintage-looking patina. When “powered on,” the output tube on the far right glows orangeish-red. Fuse claims that it will “enrich your recordings with an authentic tube vibe in the most intuitive way.” Did they hit the mark? Let’s find out! Looksįuse Audio Labs VPRE-2C opens to a convincing picture of a vintage tube preamplifier, complete with the silkscreened lettering, pointer knobs and heavy-duty switches. Today we’ll be checking out the newest plugin from Fuse Audio Labs, VPRE-2C, which is an emulation of a 1950s tube preamp of the same name.

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Slate virtual mix rack aax pro tools 12